Showing posts with label Jetlag Productions' The Hunchback of Notre Dame. Show all posts
Showing posts with label Jetlag Productions' The Hunchback of Notre Dame. Show all posts

Saturday, August 1, 2015

Conclusion: Jetlag Productions' The Hunchback of Notre Dame

Quasimodo dreams of Esmeralda through song
Jetlag Productions' The Hunchback of Notre Dame does not serve any real purpose.

As a film for children, it's too boring and creepy to keep their attention.

As an adaptation of the novel, while it is quite faithful, it's too childish (and too dumb if I'm being honest) to appeal to adults.

It doesn't even work as a mockbuster, because it doesn't resemble the film it's ripping off at all.

So who is this for?

It's more competently made than the Dingo Pictures adaptation, I'd be a liar to say otherwise, but part of me likes it less. I know it doesn't make any real sense to say that. Objectively, this is the better film.

But at least I could laugh at Dingo Pictures. The abysmal animation and ghastly character designs are awe inspiring, if only because they are so unprofessional. 

Here, things are passable. There is a beginning, middle, and end. It is competent. It is bland. It is forgettable.

And, at 48 minutes, it is a slog to sit through.

Friday, July 31, 2015

Music: Jetlag Productions' The Hunchback of Notre Dame

The music of this version is entirely midi composition. The cheesy synthesizer sound really grates on me. It reminds me of a typical 90s melodramatic TV show. There is also a lot of stock music, some of which doesn't really fit. The French national anthem is played about two or three times, and for no real reason.

But the coup de gras comes with the musical numbers. Like Pixar's Toy Story, the songs are song by a third party rather than the actual characters. Instead of Randy Newman, who preformed the songs in Toy Story. here we get a poor man's version. 

A poor man's Randy Newman. Saying that goes to show how bad the singing is. 

The songs are very out of place. I have a feeling that they were a mandatory inclusion. A Disney knockoff needs musical numbers, right? The lyrics are insipid, and nauseatingly saccharine. Here's a sample:

"Love can make a blind man see
Love can set a prisoner free
Love is all
Love is everything"

These songs are easily the worst thing about this film. The composition is on par with the lyrics. Lazy and arduous 

Next: Conclusion

Thursday, July 30, 2015

Art and Animation: Jetlag Productions' The Hunchback of Notre Dame

The animation appears smoother in this GIF than in the movie
I mentioned in the introduction to this review that the animation was produced in Japan. Japanese animation is typically limited. While there is a place and certainly a market for that, it's not really my thing and I can accept that.

What I can't except is laziness, which this particular production screams of. Frames are repeated frequently and motion is kept to a minimum.Cost saving techniques like mouth flapping and close ups also are present. While these quirks are good for cutting costs, it's terrible for audience engagement.

The animation is in a sort of uncanny valley, far from fluid motion, bur also not quite lifeless.

Artistically, it fairs a bit better. The coloring is consistent and vibrant, which is surprising for such a low rent production. There are a few background paintings which are quite nice. They're not anything memorable, but the backgrounds are well done and easy on the eyes. Character design, while also not spectacular, is serviceable. Unlike most of the adaptations made to cash in on the Disney film, Jetlag Productions do not directly take inspiration (rip off) Disney's character design.

Next: Music

Wednesday, July 15, 2015

Characters: Jetlag Productions' The Hunchback of Notre Dame

Quasimodo
Quasimodo looks a lot like Mr. Magoo at certain angles, which is really strange. Like the Dingo Pictures film, Quasimodo's speech is slurred and at times incomprehensible. It's never is perplexing here as it was in that thing, you can usually get the gist of what he's saying, but it's still difficult to understand. Quasimodo here is portrayed as dimwitted and brutish. This does not gel with the musical numbers, which say that Quasimodo's "heart was as big as the sky." He's just not very likable. I don't feel for him at all.

Esmeralda
It's pretty cringe worthy to watch Esmeralda dance in this version. Because the animation is so limited and awkward, the fluidity and movement is clumsy. I have no idea why, in this version, she falls in love with Quasimodo. It just comes out of nowhere, and it's not very convincing. It is clear that this was meant to satisfy the kids who were disappointed
by this pair not happening in the Disney movie, which this is derivative of. Esmeralda is uninteresting here, but because of that she is the most tolerable. 

Claude Frollo
Frollo has a patented "bad guy voice." It's hoarse, cunning, and would seem right at home coming out of an evil wizard. His appearance speaks to this, he has a ring of messy black hair around his head, and a giant nose. The filmakers make a few vague references to his practice of alchemy and religious confusion, but nothing really comes of it.

There's not much point in examining the other characters. They're fairly similar to their book versions, but they are given so little screen time that they don't ultimately matter. The only interesting detail is that, instead of Clopin, the Duke of Egypt is the prominent figure in the court. He looks more like a goblin than a romani person, but that's the least of this film's problems.

Next: Art and Animation



Tuesday, July 14, 2015

The Plot: Jetlag Productions' The Hunchback of Notre Dame

Quasimodo
The film opens with a musical number, which claims that if "your clothes were all wrong" and your "voice was too loud" then "you know Quasimodo and how he must feel."

After this, narration explains that on Quasimodo Sunday, a young woman abandoned her child in the cathedral of Notre Dame. Claude Frollo, a "young priest", adopts the child, despite it being "horribly misshapen."

Years later, Frollo had become the archdeacon of Notre Dame. He hired Quasimodo to be the ringer of the church bells. While this profession renders Quasimodo deaf, he seems to enjoy it enough.

This particular day is the celebration of the festival of fools. While a play is being preformed at the palace of justice, the people's attention is drawn instead to Quasimodo, who is ringing the bells and climbing the church architecture madly. The author of the play, Pierre Gringoire, is disheartened to see his work fail.

A donkey, for whatever reason
The people then decide to elect a pope of fools, a competition to find the ugliest man in town. Several worthy competitors participate, including a donkey, but the winner is ultimately Quasimodo.

During the night, all eyes are on Esmeralda, a gypsy girl who dances before a roaring bonfire. After she finishes her dance, she begins to collect money. she goes to Gringoire, but he's completely broke. He then goes to Frollo, who briskly walks away from her.

Quasimodo appears, paraded as the pope of fools. Frollo puts a stop to this, crying "Sacrilege!" and "Profanation!" Quasimodo tackles Frollo, but upon recognizing him his kneels. Frollo orders him to follow.

Th attempted kidnapping
After this, Gringoire tries to stalk Esmeralda through the streets, when, out of the shadows, comes Frollo and Quasimodo the two of them try to kidnap her, but are stopped by Captain Phoebus and his men. Only Quasimodo is arrested. Esmeralda, to show her gratitude, kisses Phoebus and runs off.

Gringoire is pinned down by vagabonds, who bring him to the Duke of Egypt. He's forced to preform several bizarre
tasks, and is offered to the local women. Gringoire is rejected for being to "poor" and "thin" and "young." Esmeralda ultimately chooses to marry him, but the marriage remains platonic. She is in love with Phoebus.

P-H-O-E-B-U-S
Quasimodo is being punished in the stocks the next day. The crowd jeers at his misery, calling Quasimodo a "stupid oaf." Esmeralda pities him with a drink of water. After Quasimodo is freed, Esmeralda begins to dance. Fleur de Lys, the Fiance of Captatin Phoebus, watches her with her betrothed. Esmeralda tells them that she has a secret. The secret is that she had taught her goat how to spell Phoebus' name. Fleur de Lys wishes to see her, but Phoebus shuts the idea down. Esmeralda walks away, disappointed.

Gringoire, after the failure of his play, becomes a juggler, much to Frollo's dismay. Frollo himself feels "possessed by (Esmeralda)" Seeing Esmeralda wander the street, he begins to follow her. She is on her way to meet Phoebus at the docks. Frollo stabs Phoebus, and Esmeralda begs to be murdered herself. Esmeralda is blamed for the murder. She is condemned to die.

"'Thank you Larry," at least that's what it sounds like
During the morning of the execution, Esmeralda is brought to the noose. Quasimodo, who had been observing, jumps halfway down the church, shouts "sanctuary" and then jumps down to the pavement, scooping Esmeralda up, and bringing her into the safety of the cathedral. Frollo informs the guards
that Esmeralda is safe from the law when inside.

Quasimodo informs Esmeralda that if she leaves Notre Dame, she will die, and then he just walks away.

Then another song begins to play, which shows all of the main cast, except Frollo, dancing with Esmeralda. The omnipotent singer ponders whether Esmeralda is "real or only in my mind."

The next morning, Esmeralda opens her door and says "good morning." This sentiment is repeated by Frollo, who then tries to grope and force himself on her. Frollo eventually chooses to stop, saying that no one will have her. Esmeralda tries to tell Quasimodo, but he refuses to listen, wanting to keep his kind vision of his master.

Again, "the version that children love."
Gringoire is still trying to make money by juggling. Frollo tells him that Esmeralda is going to be hanged soon. He tells Gringoire to saccrafice himself for her, but he refuses. Frollo devises another plan, to have Gringoire and his friends from the court of miracles to rescue Esmeralda themselves. Gringoire agrees.

Quasimodo brings Esmeralda dinner. He tries to hide from her, but she makes him reveal himself. For whatever reason, Esmeralda is in love with Quasimodo, and knows that he'll protect her from Frollo.

The vagrants enter the church during the night and bring Esmeralda out. Quasimodo tries to stop them, but the Duke of Egypt stops the hunchback from doing so.

Frollo brings the soldiers attention to the group. The vagabonds fight the soldiers, and Phoebus, leading the charge, grabs Esmeralda. Esmeralda wonders how she could have ever loved him, to which he replies with a simple declaration. "I'm irresistible, that's why."
"I'm irresistible, that's why!"

Esmeralda frees herself, and encounters Frollo. He tells her that the only way to live is to follow him. After debating whether or not she should trust an attempted murderer and rapist, she decides to anyway.

Quasimodo utters a battle cry and jumps from the height of the church to the ground below. Phoebus tries to stop Quasimodo, only to be tossed aside. Frollo tells Esmeralda to love him or die. Because she refuses, Frollo pulls out a knife, but, before he can do anything, Quasimodo stops him. Quasimodo throws Frollo off of the bridge, shouting that he's an "impostor!"

Dodging thousands of arrows fired by the advancing cavalry, Quasimodo and Esmeralda run off together. They're never seen again, though rumor spreads of the happy couple being seen out in the countryside.

Next: Characters

Sunday, July 5, 2015

Introduction: Jetlag Productions' The Hunchback of Notre Dame

"The version children love"
Jetlag Productions' The Hunchback of Notre Dame was released in 1996, the same year as the popular Disney adaptation. Like the Dingo Pictures film, which I reviewed earlier, this was meant to trick unsuspecting consumers into believing that they were purchasing that version as apposed to this cheap knockoff.

The company that produced this was an American and Japanese animation studio. The films, always direct to video, were made for the American market, but animated in Japan. As a result, the animation is fairly comparable to Japanese Anime, in the sense that the animation is extremely poor and choppy.

After dominating VHS bargain bins, it was eventually put onto DVD in several forms. You could buy it individually, for a penny on Amazon these days, or in a compilation with other Jetlag films, also for a penny.

Next: The Plot